She is surrounded by insects and animals, setting the scene of a lush, but suffocatingly dense jungle. A small black hummingbird with its wings outstretched hangs like a pendant from her throat. Her bold eyebrows hold the emphasis on her face, as a thorn necklace strangles her throat, trailing down her chest like the roots of a tree. This rather small painting (approximately 24” × 18”) shows Kahlo in a frontal position and directly confronting the viewer's gaze from the canvas with leaves behind her in the background. The Tehuana had a great deal of equality with their male Zapotec counterparts and represented strength, sensuality, and exoticism. Later, inspired by Rivera's concept of Mexicanidad, a passionate identification with Mexican pre-Hispanic indigenous roots, she donned the identity of the Tehuana woman. At the onset of this movement, a so-called “cult of Mexican femininity” gained popularity, which Jolie Olcott describes as “selflessness, martyrdom, self-sacrifice, an erasure of self and the negation of one’s outward existence.” In rejection of this limited conception of femininity, Kahlo fashioned herself as a Mexican counterpart to the flappers of the United States and Europe in the 1920s. Kahlo was a big supporter of the Mexican Revolution, so much so that she attempted to change her birth date to correspond with the beginning of the Revolution in 1910. The autobiographical details of her life found in these works as well as her characteristic brows, elaborate hair, and vibrant Mexican clothing has made her a popular figure in Mexico and the United States. Kahlo, using her own image, reclaims this use from the patriarchal tradition. In particular, scholars have interpreted her self-portraits in the context of the tradition of male European artists using the female body as the subject of their paintings and an object of desire. Scholars have interpreted her self-portraits as a way for Kahlo to reclaim her body from medical issues and gender conformity. Most of her work consists of self-portraits, which deal directly with her struggle with medical issues, infertility, and her troubeparate Frida on which to project her anguish and pain. She began painting while bedridden due to a bus accident that left her seriously injured. Background įrida Kahlo was a Mexican painter active between 19. Muray bought the portrait shortly after it was painted, and it is currently part of the Nickolas Muray collection at the Harry Ransom Center at the University of Texas at Austin. It was painted after Kahlo's divorce from Diego Rivera and the end of her affair with photographer Nickolas Muray. Self-Portrait with Thorn Necklace and Hummingbird ( Autorretrato con Collar de Espinas) is a 1940 self-portrait by Mexican painter Frida Kahlo which also includes a black cat, a monkey, and two dragonflies. Harry Ransom Center, Austin, Texas, Austin Spanish: Autorretrato con Collar de EspinasĦ1.25 lookin cm × 47 cm (24.11 in × 18.5 in) It does not store any personal data.Painting by Frida Kahlo Self-Portrait with Thorn Necklace and Hummingbird The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly.
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