It's an innovative control scheme that takes a little while to get used to, as some areas require the heroes to go in separate directions. What remains is a sense of loss, but it's unclear if it's a loss of identity or something else, and there's not much players can do about it.This emerges in the form of a twin-stick approach, where the joystick of the left Jo圜on controls Cereza, and the right controls Cheshire. In fact, LGBTQIA+ themes are entirely absent from this game, and it seems that all the build-up and what was seemingly canonical lore about the character's relationship with Jeanne is gone for good, whereas Bayonetta's sexualization feels like sexualization for the sake of it. One could argue that the destruction of the Statue of Liberty's head as Bayonetta falls through it represents the annihilation of the character's independence, showing how Bayonetta 3 gives up the ghost of its predecessors' legacy in terms of representation for women and queer people. After an intense battle in space, both contenders are launched at full speed on Earth once more, and as Bayonetta falls, players can see debris from the Statue of Liberty, with the head in the foreground. Still, it's worth going back to a specific moment during the fight between the various Bayonettas and the Singularity. This concludes the game's story outside of the post-credit scenes, which reveal how Bayonetta 3 is not the last chapter in the series, and there's more to come. Then, both Luka and Bayonetta are claimed by hell, leaving Viola alone, crying. It's at this moment that Luka finally holds his loved one in his arms, saying he'll always be there for her, to which Bayonetta replies they have always been together - but if that's the case, then the love story with Jeanne never happened. However, in the final chapter of Bayonetta 3, in aftermath of the Singularity's demise, Bayonetta's soul is separated from her body, and demons try to snatch it and take her to hell. This is a juxtaposition to the previous games, where Bayonetta simply teased Luka, never kissing him. Because Bayonetta and Luka are Viola's parents, the game also confirms they are in a relationship, but that's not all.īefore the final showdown against the Singularity, just as Luka is about to transport Bayonetta and Viola back to Manhattan, the Umbra Witch leans in for a kiss, which Luka romantically denies to save it for later. The father turns out to be Luka, who manages to rescue Viola even at times when Bayonetta herself couldn't, negating once more that sense of empowerment that the series' women have given thus far. But then, Luka comes into play and saves the day - again.Īnother major character in Bayonetta 3 is Viola, a witch in training whose purpose is to travel through the multiverse to save Bayonetta, who is revealed to be her mother. The three Bayonettas fuse together, and that's still not enough to beat Bayonetta 3's final boss. ![]() In fact, she is often on the verge of losing to the Singularity, despite all the multiverse's versions of Bayonetta helping her, alongside Jeanne first, and then two Bayonettas from other worlds that the Singularity couldn't kill. Bayonetta is no longer represented as an all-powerful, independent female character. The final boss battle against the Singularity drives this point home. RELATED: 5 Games That Might Feature Asexual Or Aromantic Characters As such, Bayonetta 3's lead character struggles to be an independent woman and starts to come across as a shell of her former self. This is an inversion of roles, where the women-empowering, sexually-emancipated witch who initially saved Luka (a mortal human) thanks to her powers, now even depends on the journalist's brand-new powers and needs to be saved multiple times. Luka in Bayonetta 3 is quite different, and his design changes to match his newfound charm and powers, with which he ends up aiding Bayonetta multiple times.
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